Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit.

Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit.

两个帅哥在厕所里HING，其中一个用尽办法让对方挺起来~可是都不见效，最后两人尝试了一种最简单最普及最浪漫的方法....你猜呢！！

两个帅哥在厕所里HING，其中一个用尽办法让对方挺起来~可是都不见效，最后两人尝试了一种最简单最普及最浪漫的方法....你猜呢！！

七个自命不凡的文艺青年离群索居住在山上，欧阳诗人赞颂这个没有女人的地方。一日，金力在海边救起一名女子张丽丽后，七个男人都将她奉为谬斯，幻想彼此幸福的未来，这个没有女人的地方，变成以女人为主的地方。李行在片中饰演欧阳诗人，是七名角色中表面上最正直理性的一员，清瘦的外型加上字正腔圆的咬字，将诗人诠释的唯妙唯肖。

七个自命不凡的文艺青年离群索居住在山上，欧阳诗人赞颂这个没有女人的地方。一日，金力在海边救起一名女子张丽丽后，七个男人都将她奉为谬斯，幻想彼此幸福的未来，这个没有女人的地方，变成以女人为主的地方。李行在片中饰演欧阳诗人，是七名角色中表面上最正直理性的一员，清瘦的外型加上字正腔圆的咬字，将诗人诠释的唯妙唯肖。

村里的孤儿润霖照顾着母亲留下来的橘子园，十八九岁的他对外界充满了向往，而村里的人对于生活并没有太多要求，每天重复着昨天的生活也没什么不好。但润霖却想去看看雪。

村里的孤儿润霖照顾着母亲留下来的橘子园，十八九岁的他对外界充满了向往，而村里的人对于生活并没有太多要求，每天重复着昨天的生活也没什么不好。但润霖却想去看看雪。

The last day of Patrizia Cavalli's home. Before it's all gone.

The last day of Patrizia Cavalli's home. Before it's all gone.